Everything
Everything
Arc
For
a long time the list was a three horse race this year: until late October, when
one album broke away from even that pack, there were three records that clearly
stood above all others for me in 2013, as being equally awesome. The first of these is the second record by
art-pop adventurers Everything
Everything. This was my introduction
to the band – thanks to my brother – and I’ve played it again and again. I now know that the general consensus is that
Arc isn’t as good as their Mercury
Music Prize nominated debut, Man Alive. But when I then got a copy of Man Alive I was actually quite
disappointed: for me, Arc is the far
superior record. Maybe it’s just because
I heard it first. For what is
essentially a pop band, Everything
Everything are about as inventive as it gets. They structure their dense and dynamic songs
around a wide range of styles, including R&B, electronica, rock and
dance. Everything (everything!) is driven by Jonathan Higgs’ distinctive falsetto vocals (Higgs also writes the songs), and it’s his voice that holds the record together. From the primal stomp of opener ‘Cough Cough’ to the odd-tempo of 80s glam styled ‘Radiant’, there is a huge amount on offer here – all of it catchy as hell. The standout track for me is the brilliant single ‘Kimosabe’, which I regularly wail along to horribly (my voice just can't get that high!). A genius album.
Sample track: ‘Kimosabe’
Sample track: ‘Kimosabe’